![]() ![]() Some of his stripes are based on commercial bar codes writ large and radiant. From a distance, they appear to shimmer, a kinder, gentler version of Optical Art from the 1960s. Seen up close, their edges are vague, as if their focus needs adjusting. ![]() The colors of his largely vertical, acrylic stripe paintings at the Greg Kucera Gallery have a digital glow. The pinging sound of video games in an arcade sounds like an electronic version of wild turkeys in full cry, just as the muffled clack of computer keyboards in a busy office mimics the sound of de-beaked chickens trying to feed.įrom London and now living in Las Vegas, Tim Bavington paints in the gap between these experiences, the real and the synthetically real. The following article is taken from the Seattle Post-Intelligencer, Friday, April 18, 2003: PAINTER TRANSLATES HENDRIX RIFFS INTO OP ART COLORS AND FORMS by Regina Hackett This Las Vegas-based painter translates rock music into rhythmic vision. ![]() Top Summer Shows You Can Still Catch, North and South ![]()
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